Saturday, September 25, 2010

Living from the heart

Detail from 'The big coalescence'

I'm reading a very interesting book, written bij Ab Straatman. It's about living from the heart (only published in Dutch).
It's full of confirmations about how I think about life (which touches me because I always thought I was a bit crazy concerning this), and of course also new insights.
Interesting is the part about male and female. He writes that on cellular level there is only a tiny difference in the DNA of men and women.
Deep in your soul everyone is masculin and feminin. But deeper, in your subconsciousness, you're neither masculin, nor feminin.
That struck me because I've often experienced that when I'm creating, and I'm in a sort of 'not being around'-mode, it doesn't matter at all who I am, or what I am.
Actually, when I'm in that sort of mode, I do not realize it. It's always afterwards, when I ask myself where I was when the composition was made.
Also, I'm often told that one's thought on first sight was, that my paintings were made by a man. It comes as a surprise that they were created by a woman.
I think that my paintings come from deep within me. From the place where it doesn't matt
er what you are.
Ab says that your subconsciousness is one of the strongest creating forces in life. In every way! I think it's true.

Friday, September 24, 2010

The big coalescence







































It took me all week to paint this new work which consists of about 7 layers.
It's 140x110 cm / 55x43 inch.
'The big coalescence', my expression for unconsciously and consciously wishful thinking for a better world.
I've given up the idealistic idea that this will ever come true, so I create my own world.
And I like it! ;-))

Monday, September 20, 2010

Highly recommended

French painter Jean Marc Calvet, living in Nicaragua, is my highly esteemed fellow-artist at Monkdogz Urban Art Gallery in New York City.
British Director Dominic Allan has made a long feature film about his-everything-but-common-life.
CALVET - redemption from darkness to fame. It will be released in 2011.
Saturday Jean Marc sent a message that the soundtrack of the film was online now.
Curious as I am for the movie, I immediately went to the website of Edith Progue, the micro-classical music composer of this soundtrack who lives and works in Paris.
I listened every track of 'CALVET'... Goose bumps! Especially Aelita. It made me even more curious to view the images which go with the music.
And I just had to discover the rest of Edith Progues music.

Curious too?
Check:
- http://jmcalvet.com/ and watch his paintings
- www.edithprogue.com and listen to his beautiful music
- http://jmcalvet.com/html/proyect.html, to see some pictures made during the production of the film.
- www.monkdogz.com
And of course, go see the film!

Friday, September 17, 2010

Engine of progress

The funny thing with my paintings is, that one often thinks that they are made very quickly.
I think this is because of the movements/dynamics in the painting. But actually it takes several days up to a week (to 2 weeks for a very large one), to create a new painting.
It's been build in lots of layers. When I'm not satisfied with the result of a layer, I have to remove it before it is dry.
It's not like with digital work where you can add or remove layers as much as you like, without damaging the rest of the work.
My latest work, 'Engine of progess', 120x100 cm/ 47x39 inch consists of 7 layers.
This is only a close up of a small detail of the painting.

Wednesday, September 15, 2010

The first one

A small detail of the first new painting I made in my new studio.
It's a large one. 






The machinery of life cycle, 170x110 cm/77x43 inch, which will be presented on the 29th edition of Lineart, the international fusion art fair in Gent, Belgium by Gallery ART-ist (Geel-Belgium). 
More info on this famous fair on www.lineart.be
I've already started a new one.... yeah!

Tuesday, September 14, 2010

The bitch is back!

Finally, everything has been installed in my new studio, except for the light (daylight lamps). But since there are large windows, it would only be a problem on dark clouded and rainy days. In a few weeks the lamp-problem will be solved.
Eager as I am, I've already been busy in the last few days creating my first painting in this new environment.
It's a delight to paint again!